George Inness, 1825-1894Ariccia, 1874Oil on canvas, 67.3 x144.3 cm (26-1/2 x 56-7/8 in.)George Inness moved to Italy for the second time in 1870. He painted primarily in Rome and its environs, finding many of his subjects among the scenic lakes and deep valleys of the Alban Hills and the hilltop towns southeast of the Eternal City. The rosy beige, tan, and white buildings of the town of Ariccia crown a ridge that stretches across the middle distance of this panoramic painting. The geometry of the town is balanced by three horizontal elements: the long bridge in the foreground, the horizon, and the strata of thin clouds. Inness captures the characteristic light at the end of the day, a time of stillness and tender melancholy to which he returned in his later work.Provenance:Williams and Everett Art Gallery, BostonArthur HunnewellHis daughter, Jane B. Hunnewell, Wellesley, MassachusettsVose Galleries, BostonAcquired by the Putnam Foundation, 1972 



 

George Inness, 1825-1894
Ariccia, 1874
Oil on canvas, 67.3 x144.3 cm (26-1/2 x 56-7/8 in.)

George Inness moved to Italy for the second time in 1870. He painted primarily in Rome and its environs, finding many of his subjects among the scenic lakes and deep valleys of the Alban Hills and the hilltop towns southeast of the Eternal City. The rosy beige, tan, and white buildings of the town of Ariccia crown a ridge that stretches across the middle distance of this panoramic painting. The geometry of the town is balanced by three horizontal elements: the long bridge in the foreground, the horizon, and the strata of thin clouds. Inness captures the characteristic light at the end of the day, a time of stillness and tender melancholy to which he returned in his later work.

Provenance:

Williams and Everett Art Gallery, Boston
Arthur Hunnewell
His daughter, Jane B. Hunnewell, Wellesley, Massachusetts
Vose Galleries, Boston

Acquired by the Putnam Foundation, 1972