
Born and trained in the city of Verona, hence his nickname, Paolo Veronese gained his fame as a painter of frescoes and easel paintings while living in Venice. In this work, a sumptuously attired Saint Catherine is shown at right with the Holy Family. Saint Elizabeth, the mother of Christ's cousin Saint John the Baptist, sits on the left, rolling swaddling clothes. Veronese arranges the figures in a stately flow of interconnecting forms and renders them using a rich play of light and a perfect balance of warm and cool colors.
Possibly mentioned by Ridolfi as in the possession of the heirs of Veronese; According to Cicogna (1824–53), the work belonged to Abbott Celotti; Bondon, Paris, until 1831, his sale, Paris, June 8, 1831 (Lugt 12689), no. 10 Quantock; Norman Clark Neill, Cowes, as of 1925; Mrs. H. F. Buxton, London; Acquired by the Putnam Foundation, 1956
London, Burlington Fine Arts Club, 1925-26, Winter Exhibition Catalogue, no. 61; Washington, D.C., National Gallery of Art, extended loan, 1956-65.
C. Ridolfi, Le maraviglie dell'arte ovvero le vite degl'illustri pittori venetie della stato . . . (1648), ed. D. von Hadeln, 2 vols. (Berlin, 1914 and 1924), 1:344; E. Cicogna, Delle iscrizioni veneziane, 6 vols. (Venice, 1824-53), 4:235; Percy H. Osmond, Paolo Veronese (London, 1927), p. 32; "Country wide Loans from California," Art News 55 (November 1956): 33, ill.; Bernard Berenson, Italian Pictures of the Renaissance:
Venetian School, 2 vols. (London, 1957), 1:135; Remigio Marini, L'opera completa del Veronese, introduction by Guido Piovene (Milan, 1968), p. 135, no. 392;Agnes Mongan and Elizabeth Mongan, European Paintings in the Timken Art Gallery {San Diego, 1969), pp. 36
-37,111, no.10, ill.; Pierre-Jean Mariette, Ecoles d'Italie: Notices biographiques et catalogues des oeuvres reproduites par la gravure, Les Grands Peintres, no. 1 (Paris, 1969), p. 302; Burton Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings
in North American Public Collections (Cambridge, Mass., 1972), pp. 40, 348, 632; Paolo Ticozzi, "Le incisioni da Paolo Veronese nel museo Correr' Bolletino dei Musei Civici Veneziani 20, nos. 3-4 (1975): 46, no. 30; Terisio Pignatti, Veronese, 2 vols. (Venice, 1976), 1:125-26, no. 129, and 2: fig. 373; Paolo Ticozzi, Paolo Veronese e i suoi incisori, exh. cat., Museo Correr (Venice, 1977), p. 32, under no. 88; Martin E.
Petersen, "Three Centuries of European Paintings, 1300-16oo," Apollo :115 (June 1982): 441, fig. 6; Timken Art Gallery: European and American Works of Art in the Putnam Foundation Collection (San Diego, 1.983), pp. 84-85, 124-25, no. 32, ill.; Terisio Pignatti and Filippo Pedrocco, Veronese: Catalogo completo dei dipinti, I gigli dell'arte, no.18 {Florence, 1991), p. 334, no.68A
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